Projects

Chains of ponds, contour banks and the return of the reed warbler, Bibbaringa 1 by John Wolseley

Chains of ponds, contour banks and the return of the reed warbler, Bibbaringa 1  2021

oil on Masonite

73 x 122cm

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Slow water and the rufous songlark, Bibbaringa 3 by John Wolseley

Slow water and the rufous songlark, Bibbaringa 3  2021

oil on Masonite

58 x 76cm

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What would the world, once bereft of wet and wilderness?Let them be left, O let them be left, wildness and wet, Long live the weeds, and the wilderness yet – G M Hopkins by John Wolseley

What would the world, once bereft of wet and wilderness?Let them be left, O let them be left, wildness and wet, Long live the weeds, and the wilderness yet – G M Hopkins  2020

oil on Masonite

92 x 122cm

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Study for Chains of ponds and contour banks, Bibbaringa 4 by John Wolseley

Study for Chains of ponds and contour banks, Bibbaringa 4  2021

watercolour and coloured pencil on cotton paper

57 x 76cm

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Lolloping hills and the two dams, Bibbaringa 5 by John Wolseley

Lolloping hills and the two dams, Bibbaringa 5  2021

graphite and watercolour on cotton paper

58 x 76cm

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A natural history of slow water, Bibbaringa 6 by John Wolseley

A natural history of slow water, Bibbaringa 6  2021

watercolour graphite and coloured pencil on cotton paper

57 x 70cm

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Study for Slow water and the rufus songlark, Bibbaringa 7 by John Wolseley

Study for Slow water and the rufus songlark, Bibbaringa 7  2021

watercolour and gouache on cotton paper

57 x 76cm

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Healing the Fowlers Creek gultch, Bibbaringa 8 by John Wolseley

Healing the Fowlers Creek gultch, Bibbaringa 8  2021

watercolour on cotton paper

70 x 73cm

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Study for What would the world be, once bereft, of wet and wildness, Bibbaringa 9 by John Wolseley

Study for What would the world be, once bereft, of wet and wildness, Bibbaringa 9  2021

charcoal and pastel on drafting film

86 x 120cm

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